Mel Bay
Fingerboard Mastery, Book One
Fingerboard Mastery, Book One
SKU:22114
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This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system (five positions), the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book. Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book One presents patterns for the major scale and its relative modes, the major pentatonic scale, the minor pentatonic scale, and the blues scale. Along with these scale forms, patterns for arpeggios that are for the most part diatonic to (in the key of) the major scale are presented. These include major, minor, diminished and augmented triads, and also major 7, dominant 7, minor 7, minor 7(5), and diminished 7 chords.
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I was looking for the right equipment for my Camac Isolde Celtic harp. I did NOT want to install the Dusty Strings pick-ups- seemed like way too much to add. This little gizmo was easy to install with the little pictures on placement- like, less than five minutes easy. I plugged the pickup into my new Roland Mobile Cube and it’s perfect! I don’t hear any sound distortion, and I think this will be just right when playing background music for noisier environments. Super happy with this!

I was excited to receive this kit. I do have several banjos already; however, I did not have a mountain banjo. I have built gourd banjos and ekontings (I went to Gambia in 2004 and 2007 to learn how to play and make them) from scratch, so I am not a beginner in terms of making instruments. I had a lot of fun putting the kit together. I do have a few observations regarding tips or slight modifications in the instruction manual, if interested.
Thanks!
Paul Sedgwick

I am very happy with the quality of the instrument. I am of Puerto Rican decent and it reminds me of my childhood, watching the musicians and learning to play myself. It is a beautiful guiro and sounds amazing.

It's great to be able to buy a hurdy gurdy in the US without having to wait for 6 months to a year or more. The Aplo is a quality entry level instrument that produces beautiful sound. It resonates very well and there are no buzzes or squeaks. Workmanship is very good. I got mine cottoned, rosined and tuned in a half hour. The transaction was easy and it arrived within a week.
I've been able to play some tunes on it with only a few hours of practice. It's going to be a lot of fun.

I love it, the entonation is really very good (sorry for my bat english).
Regards!